International Trombone Festival in Leipzig 2026

From February 13 to 15, I had the distinct pleasure of performing and teaching at the International Trombone Festival organized by the Internationale Posaunenvereinigung and hosted by the Hochschule für Musik und Theater »Felix Mendelssohn Bartholdy« Leipzig.

The festival presented a comprehensive and thoughtfully curated program, including concerts, lectures, instrument exhibitions, museum visits, warm-up sessions, and individual lessons. It created a stimulating environment in which performers, educators, and students could exchange ideas, deepen their artistic perspectives, and celebrate the versatility of the trombone.

Leipzig itself added a profound dimension to the experience. As a city of immense musical heritage, closely associated with Johann Sebastian Bach and Felix Mendelssohn, it stands as one of Europe’s great cultural centers. Being immersed in such a historically significant setting served as a powerful reminder of the traditions that continue to shape our artistic work today.

I was particularly proud that the Karol Lipiński Academy of Music in Wrocław Trombone Class was invited to participate. Their involvement was made fully possible through the Erasmus Programme, which continues to play a vital role in fostering meaningful international collaboration. Trombone classes from Prague and Brno also benefited from this opportunity, further strengthening the spirit of exchange that defined the festival.

The Karol Lipiński Academy of Music in Wrocław Trombone Class. First row: (L-R) Klaudia Adamczyk, Hania Szarańczak, Emilia Francuziak, Wojciech Giłka. Second row: (L-R) Igor Majchrzak, Szymon Szymański, Dawid John. Not in the picture: Tymoteusz Otto, teachers Tomasz Hajda and Wojciech Prokopowicz

The students and faculty of the Wrocław studio not only took part in the educational activities but also performed in concert as part of the festival program. In addition, a larger combined ensemble was organized to give two performances in the city, bringing our shared work into the public sphere. These appearances reflected both the artistic level of the participants and the strong sense of community that developed throughout the event.

During these three intensive days, I had the privilege of teaching festival participants as well as conservatory students from Prague, Bern, Düsseldorf, and Leipzig. The commitment, openness, and musical curiosity I encountered were deeply inspiring.

I would like to express my sincere gratitude to Prof. Thomas Leyendecker, IPV President Louise Pollock, Sebastian Krause, Andreas Zach, and everyone whose dedication and vision made this festival possible. It was an honor to contribute to such a meaningful event in a city whose musical legacy continues to resonate so strongly.

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